Music Reviews

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Artist: Loss (@)
Title: I Am But The Sum Of My Conditions
Format: CD
Label: Ant-Zen (@)
Rated: *****
The man behind Loss, Dan Fox, has some personal issues he would like to share with you. The inside of the liner notes have no lyrics; it simply reads, 'No one hurts me like I do.' You get a sense that this isn't going to be feel-good party music, and you would be right. The label describes this release as 'thematically based on the artist's personal experience with his compromised mental state, covering relationships, love, waiting for answers to some of his medical questions, and his quality of life. . . . 'I am but the Sum of my Conditions' is an emotionally intense personal statement by an exceptional artist where sheer force is combined with captivating atmospheres: entrancing, hypnotic and monumental in scope and power - an unforgettable listening experience." I have made it no secret that Loss's 'A Letter That Will Never Be Sent' stands as one of the pinnacles of power electronics for me, so I was interested to see what he has done lately. On this album we see an evolution of Loss's style with some more beat-driven compositions than on previous releases I have reviewed. This makes sense in light of his move to Ant-Zen, but the dark symphonic elements he is known for are still present and accounted for. The heavy emotional content likewise remains. This is a glimpse into Fox's life, with tracks such as 'Product of a Poor Self-Esteem Case Two: Drunk and Delusional' opening up with an answering machine message from a woman who sounds like she is breaking up with him with the sample 'I know you don't care' repeated throughout the song as Fox screams heavily distorted vocals. But this is not all noise; tracks like 'Session 01' demonstrate that Fox has an ear for composition with a melancholy synth track over dejected, pitch-shifted lyrics. Others just take you on an aural descent into despair, such as 'Waiting for an Answer,' which has no vocals ' just drone with a heavy sense of foreboding, and 'Product of a Poor Self-Esteem Case Four: The Girl with the Plastic Face,' which is a flowing orchestral number with a nicely contrasting crunchy staccato rhythm. Others, like 'Watching you Crumble' and 'Memory' are old school Loss. Overall, this is a safe way to walk through the bad part of town in the city of human emotions with Loss as your guide. I hope he feels better after getting this all off his chest. But he probably doesn't. This album weighs in at around 61 minutes.



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