Electronics / EBM / Electronica
Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
Industrial Noise / Power Noise / Harsh Noise
Synth Pop / Electro Pop / Synth-Electronica
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Odd / Field Recording
Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
Nov 02 2006
As usual in the "Kapotte Muziek by..." series, the artist uses a live performance (here, a concert/workshop given in The Netherlands in 1997) by the Dutch collective to create a new piece of his own. Rehberg (aka Pita) reworks the raw sound sources in a way that is much more similar to his recent, and brilliant, solo disc on Mosz than to his diginoise releases under his alias. The 17' 30" track starts with a low rumble, to which he adds metallic scrapings, looped noise bursts and a cyclic rolling sound... The piece eventually caves in in a more subdued set of sounds, where even string plucking seems to be recognizable. A nice microsound track, only a bit dispersive construction-wise, but maybe that was the point.
Nov 01 2006
The name Ovro materialized on my way just a while ago, when I've been given a live Hæretici 7o74 where she was playing together with Niko Scorpio and now here's her new solo release on Scorpio's Some Place Else. There's a double booklet coming with this cd since you can read on the label's website it features two different but still linked works. Even if I've started listening to Some Place Else releases just recently I'm tented to say they could be classified as one of those label that's partially influenced by industrial music but in freaky way. What do I mean? I mean the release I've heard on this label could be compared to the most abstract, odd and psychedelic works coming from the early industrial scene alas I'm referring to NWW, Hafler Trio, the most experimental Current 93, Tibet, Stapleton and so on and that obviously means it could be scary/dark experimental music with an edge of psichedelia. The first half of this cd is drony, haunted with delay/echo-effects and it's the result of a duel between odd barely spoken vocals a la "I'm gonna enter in your head and go down to meet your inner self" and a soft dark ambiental scenario. The second part of this collection of tracks (that's the one titled "Vipera Aurea") is not discontinuous at all, nay, it's really homogeneous just a bit less discrete, cerebral and a bit more outspokenly physical. The vocal-loops increase and become more pounding while the music is less ambiental and definitely more scary. Good debut.
Oct 30 2006
This CD weighs in at just over an hour, which gives enough time to sink into the soundscapes. Overall, there is a lot going on in this disc. Noisy elements are woven through a sea of heavy bass drone to create a complex tapestry of sound. It isn’t noise, but it certainly isn’t the easy listening kind of dark ambient until the second half. The disc is almost like listening to two discs – the first half is pretty aggressive in its use of noisy elements, while the second half is a bit more peaceful. Luckily, both styles are done very well.The disc opens with "Until Dawn Do Us Part," which combines noisy drones, clanking metal, and a simple synth line melody that creates an atmosphere that will continue throughout the disc. "Night Came to Us" is the longest track on the piece (14:17). Heavy bass drones with undercurrents of pulsing sound. This is the soundtrack to a threatening alien landscape. Dark stuff. When it ends, you notice it. This is one of the standout tracks on the disc. "Horizons" continues the noisy drone feel with a lot of clacking – like someone is dragging a can slowly down the road – that builds slowly over the song. "Night Alone" seems to mark a shift in the feel of the disc. It starts quietly and subdues the noisier elements that permeated the first half of the disc. This track reminds me of Troum - kind of peaceful. A nice change of pace from the more relentless noisy ambience we have had until now. "With the Stars as Witness" continues this atmosphere until we reach "The Wilderness," which brings back a bit of noisy elements, but not quite as aggressively as in the first 3 tracks. This track incorporates what sounds like source recordings of someone walking in crunchy snow layered with synth drones.There is also a video for "The Wilderness (Alternate Version)," which is mainly video of landscape with swirling clouds. It’s a nice touch and fits well with the music, but not terribly engaging. Overall, this is really good drone / dark ambient music – the kind we’ve come to expect from Cyclic Law. Another excellent release.
Oct 30 2006
Like all Cyclic Law discs, this comes nicely packaged. It has an oversized DVD style booklet with photos and lyrics throughout. Unfortunately, I do not read Finnish, so I cannot really translate the lyrics. Some of the photos are a bit interestinga person sitting on a toilet and a photo of a noose stand out in particular.On Cyclic Law’s website Markus Pesonen, the artist, proclaims: "EXPECT NOTHING BUT ANTI HARMONY!" and "This is my personal W.A.R. against everything that reveals my hate! You are the enemy!" The album starts off quite aggressively, with military percussion and lyrics that are yelled more than sung. However, the disc rapidly changed gears with the next track, Kiitän Puolestani, which is orchestral soundtrack-like strings and spoken word. Track 3, "Nagon vacker dag far du smaka pa finn yxan javla rip-off gubbe," continues in much the same vein with a repetitive string theme. However, by track 4, "Tanssit on loppu nyt," after some spoken word, we are back to the militaristic, bombastic aural assault that we began with. This one is harsher than the beginning though, much more noisy and distorted. If you’ve ever wished that In Slaughter Natives would just let go and unleash the sound with pure raw fury, this is a good track to listen to. What makes this especially interesting is the moments of silence found within the piece. Very nicely done. "...Ja verkkaritkin haisse koskenkorvalle" returns us to quiet atmospheres mixed with guttural distorted spoken word. The music is melancholy and pleasant. "Viinanjuontikoulun viimeinen oppiyunti: Milta lyhyt ryyppy tuntuu" begins with about 2 minutes of spoken word before returning to the bombastic yelling. This provides a good transition period between the two tracks. "Kuolema tulloo" continues in this trajectory with a slowly foreboding pounding. This is one of the standout tracks of the disc mainly for its fusion of the two competing atmospheres that struggle together on this disc. The vocals are even more distorted than previous tracks. "Oiken erityisella lammolla" is a short piece that returns to the spoken word and ambience. "Valkoinen sisar" is a track that doesn’t seem to fit in here. It is a tango that sounds as if it was lifted from an old 78 speed record. You keep waiting for it to kick into something else, but that’s it. Perhaps if I understood the lyrics I would get it, or maybe it’s just an inside joke. Either way, I don’t quite understand it. Overall, this is a nice release, with moments of ambience and soundtrack like soundscapes punctuated by harsh militaristic percussion and squalls. My only issue with this disc is that it is a bit short at 32:20. However, it is well worth seeking out, especially for fans of ISN and Coph Nia.
Oct 30 2006
I had not previously heard Loren Nerell's work, but Steve Roach should need no introduction. Here’s how the Soleilmoon website describes it: "Heavily textured and mood altering, the long uninterrupted flow seemingly slows time down by way of the surreal dark ambient soundforms found in much of Roach's work. Nerell brings the steamy, evanescent blend of his mutated Indonesian sources, a signature sound that defines his previous releases for Amplexus, Side Effects and Soleilmoon." This is an interesting mix. The drones are familiar – it’s what I expect from Steve Roach. But there is a lot happening beneath the surface (that I assume is the work of Narell) which adds a lot more complexity than I am used to hearing in Roach’s work. The tracks bleed into each other, providing a good sense of continuity. And at almost 74 minutes, there is plenty of time to sink into the atmosphere.Overall, I am partial to the first two tracks on the disc, Cavity of Liquids and Ecopoiesis, which comprise about half the disc. The atmosphere is engaging, if not overly challenging. Sounds like there are natural sound source material woven in like crickets chirping, for example. Long drones with sounds emerging at times, only to resubmerge back into the sea of drones. Next up, we have Texture Wall, which, weighing in at over 28 minutes is the longest track on the album. It is also a shift in the feel of the disc. There are moments of sparseness that contrast with the complex, almost busy feel of the two preceeding tracks. But still, there are moments of underlying activity that keep it interesting. Paraterra is a nice conclusion to the disc, but by the time we reach it, Texture Wall had made the music fade into the background of whatever you were doing.The disc comes in DVD digipack packaging with postcards The artwork seems to be slot canyon stone imagery. Overall, this is a good release. Recommended.