Music Reviews



cover
Artist: Cluster Lizard (@)
Title: Edge Of The Universe
Format: LP
Label: Le Cabanon Records (@)
Rated: *****
The first release of the newly made series Stand-alone by the small French label Le Cabanon (founded by Guillaume Malaret, Clovis 'Horla' Lemée, Pierre 'Bruma' Relaño and Pierre Torrell) got signed by two Ukrainian artists we constantly followed through their label Kvitnu. As many of you immediately guessed, I'm talking about Dmytro Fedorenko aka Kotra and Kateryna Zavoloka, who signs her releases by using her surname only. Compared to their solo issue, the sound of Cluster Lizard is slightly different: the harsh concreteness and the solidity of some of their solo outputs and the riverbed limestone where this harshness coexisted with steamy dark ambient clouds get sharpened by the apparent intent of this release, whose aim seems to be the attempt of propelling listener's mind towards the (other than metaphysical) edges of known or imaginable universe. I like to imagine that the abstract clip I saw the opening "Being Alive Isn't Everything", whose background seems to be taken by a simple cam pointing the journey in an obscure gallery through a window screen, mirrors both the dim light of its sonorities and the moment that sparkled the authors' sonic journey, as if the anguish of our terrestrial lives and the related search for escapism could be the gate to boundless explorations. Such an apparent contradiction seems to be the emotional framework, lingering as the shading of a burnt memory over the whole listening, where this vivid apparent contradiction could also explain the harmonic coexistence of really "terrestrial" (and clashing) entities and ethereal ones, where the first ones get often harmonised to the latter ones on tracks like "Fractal Core", "Afterlife Drift" or "Biomass of Beauty". Highly recommended sonic trip!

Massimo Olla: Structure 1-7

 Posted by Vito Camarretta (@)   Industrial Noise / Power Noise / Harsh Noise
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
 Edit (10225)
Jan 11 2018
cover
Artist: Massimo Olla (@)
Title: Structure 1-7
Format: CD
Label: Azoth
Rated: *****
Following four (really interesting) releases as Noisedelik, the solo-project through which he also tested many self-built instruments (grouped by the [d]Ronin general name, referring to different instruments, based on amplified sets of strings, metal plates and chords as well as to a sort of table-set that generate somehow scary hyoer-reverberated drones) between 2012 and 2016 and established many collaborations (the ones with Gianluca Becuzzi is maybe the one which had more visibility, but interesting outputs came out of the ones with Dream Weapon Ritual, sc9, Lyke Wake, Uncodified, Moreno Padoan, Paolo Bandera and Maurizio Bianchi), Massimo Olla signed his first album by its own name on Simon Balestrazzi's imprint Azoth. Such a change isn't only a matter of signatures, but it's also stylistic, as Olla's strategy sounds like mirroring the austerity law of many social and economic current systems: maximizing the outputs by minimizing the inputs. The inputs are mainly raw materials and found objects mainly made of plastic, wood, and metal, while the process to maximize the outputs gets supported by his amplifiers and wisely trademarked instruments. Most of Olla's seven structures are built by sinister resounding entities, grasped into likewise sinister ultra-low frequencies-driven substrates. Each entity could potentially evoke images, nightmarish situations and other creatures belonging to the cream of the crop of the industrial (or post-industrial) Italian scene (Sigillum S, Nightmare Lodge, T.A.C.), but also to many other contemporary amenities: for instance "Structure 3" resembles many outputs by Phurpa or by some output by Aural Hypnox/Helixes collective, "Structure 4" gets closer to some scary sonic freaks by Pierre Henry, while "Structure 6" is something in between some recent outputs by Zeitkratzer and the abstrast side of so-called rhythmic noise, whose ritualistic declensions get sidelined on the sevent structure.

Kotra: Cicada

 Posted by Vito Camarretta (@)   Industrial Noise / Power Noise / Harsh Noise
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
 Edit (10209)
Dec 16 2017
cover
Artist: Kotra (@)
Title: Cicada
Format: CD
Label: Kvitnu (@)
Rated: *****
The info-sheet attached to this new release by Ukrainian label Kvitnu doesn't mention the reason why the six tracks of this output by label boss Dmytro Fedorenko didn't reach the audience after they were forged, but better late than never. Actually there's an analogy between the long delay between the birth and the surfacing of this release by Kotra and the life cycle of the insects quoted in the title: before resurfacing and living for a short period (between some weeks and a few months) as adults, they spent years (the genus mentioned in the opening track "Magicicada" - mostly living in America - requires between 13 and 17 years) under the ground where they complete the growing process. After their growth, they resurface together after digging intricates web of tunnels and males uses the known whisper to group the other members of the community. The six tracks of "Cicada" (as you can easily guess by their titles as well) render this life cycle by means of finely sharpened rhythmical noises, whose constant elements are shaking high frequencies and a sort of flickering vibrations over elastic tremors of low frequencies, that resemble the trembling choruses of cicadas and all the stages of their life. A life that you could consider pretty strange, but smarter listeners will find some tragically surprising similarities with many human lives, heavily influenced by the unwritten laws of many industrial and post-industrial communities, or a remarkable parallelism with some political processes...

Exo_C: Laboyatta

 Posted by Vito Camarretta (@)   Industrial Noise / Power Noise / Harsh Noise
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
 Edit (10164)
Nov 16 2017
cover
Artist: Exo_C (@)
Title: Laboyatta
Format: CD
Label: Kvitnu (@)
Rated: *****
Exo_C is the bicephalous entity by two young noise-shapers, exoterrorism (Belgium/HK, having some tapes on tape-label ThirdTypeTapes in his short discography) and French performer Eduardo Ribuyo aka C_C, born (and already gone?) on the live stage of "On fait du l'art!", a performative space/lab led by the same-maned artistic community in Lausanne (Switzerland) on 22nd October 2015. The brutal mating ritual of these two entities gave birth to an amazing performance, that Kvitnu described as "a noise poetry of distorted sonic perfection" and I could describe as something in between techno - but not so danceable to be proper techno - and industrial - but too well organized to be exclusively labelled as industrial -. I could say Exo_C's sound is extreme, as the regions of the sonic spectrum they like to manipulate are the extremities (stomach-hitting very low frequencies and hyper-piercing high frequencies), while everything that lies in the middle gets wisely sliced, shredded and annihilated. The performance (available on CDr or digital release) consists of 9 parts: a relatively long "Intro" (a sort of warm-up of their resounding machines), an "Outro" (you can't turn hard-boiling machines off too abruptly!) and some numbered Up, Dub and Song, whose succession feature its own logics. All Ups sound like a rudimentary preparation, all Dubs a set of slowly intrusive organizations of the electromechanical hits they forged and all Songs (my favorite moments of the Exo_C industrial process) the stages where the cycles of their forging become more fluid. Head-nodding stuff!

Fail: Dated Nine

 Posted by eskaton   Industrial Noise / Power Noise / Harsh Noise
 Edit (10092)
Sep 25 2017
cover
Artist: Fail
Title: Dated Nine
Format: 3" MiniCD
Label: Inner Demons Records
Rated: *****
Fail is the work of Dan Fox, who is also the man behind Loss and Inner Demons Records. He has been cranking out amazing stuff, so let’s see what this installment has in store for us. My first thoughts were “Welcome, my son – welcome to the machine!” Rhythmic clicks and grinding tones rule in this. It is like hearing a workshop from the dawn of the industrial age suddenly transported to a futuristic dystopia imagined in a 1950’s science fiction films. Buzzing sawtooth waves and theremin-like bleeps become enveloped in static, feedback, ground noise, and siren blares. The engine is running, but one of the cylinders is not firing right and there is a loose bolt in there somewhere. Overall, this is a lot more structured and rhythmic than other Fail stuff that I have heard. This constantly changing sea of sound keeps it interesting, while still managing to maintain a sense of coherence. Well done. This track weighs in at around 16 minutes and limited to 42 copies.


Search All Reviews:
[ Advanced Search ]

Chain D.L.K. design by Marc Urselli
Suffusion WordPress theme by Sayontan Sinha