I have been familiar with Brett Lunceford's work as Stolen Light and Goose since the 1990's when I became obsessed with collecting the entire Troniks catalog. I then also began to discover his label Zaftig research which seemed to cease regular activity in about 2003. The label did continue to release its Christmas compilation until 2008, after that the label went quiet as did the projects with the exception of a few releases here and there on labels like Phage Tapes and taalem.
At this point, we come to the year 2017 which seemed fairly hopeless with everything going on in the political landscape. Early in the year though Dan Fox who runs the label Inner Demons announces he will be releasing some new work from some projects who have been dormant for some time. Projects like Fox's own Loss, 15 Degrees Below Zero and Stolen Light were announced in the new release lineup and hope had been restored to the world.
Stolen Light takes advantage of "field" recordings whether it be from television or just being out in an environment where a lot of activity is going on. In previous releases, the sounds surrounding these recordings can either be very noisy or subtle ambiance. With "Voices", Brett has utilized an approach that is somewhere on both spectrums. The first track Paranoia sounds like what a social anxiety attack feels like with the voices being clear in the beginning and the static building as time goes on. The noise at the end does almost fully envelope the voices by but they can still be heard in the background with no clear definition of what is going on.
The second track Communication And Commerce leads in with a much more dense layer of people chattering and talking in a loud restaurant or bar. The added noise on top is much more subtle this time but it works very well with this track. It is difficult to get good recordings in a crowded space with lots of sounds but Brett somehow manages to pull it off and make it interesting to listen to at the same time.
This is a great return of an understated artist in the experimental noise scene. My only complaint is the release is too short but since the label only does releases in the 3" CDr format it makes perfect sense. I hope to see Brett return to more long-form releases and there has been a rumor of resurrecting Zaftig Research, even if only for the Christmas Compilations.