The press shot for this release puts a TB-303 centre-stage in the image, and this is a solid indicator of what you’ll hear. Here are four acid workout instrumentals, with the bass tones centre stage, slowly tweaking and evolving over steady house beats that drop layers in and out with measured composure and DJ-friendly timing. Cold sparse synth notes and some longer meandering pad sounds decorate the top end.

Think Hardfloor, but with less emphasis on the ‘hard’. There’s a timelessness to it all, or a datedness to it depending on how you look at it. Sonically there’s very little to distinguish the four tracks- “Suzuki” has slightly harder percussion, “Toyota” is a bit less clubby in tone, but there’s very little in it.

The tracks may be named after motorbike manufacturers- or, as I prefer to look at it, three manufacturers of sensible small city cars and one manufacturer of good pianos- but there’s no roaring sounds or racing urgency here- this is all steady foot-tapping fayre.

I’m fond of the classic 303 sound so this release can’t really go wrong, and while it has to be scored as well below average for originality, it’s still a set of lovely warm grooves that will put a smile on your face.