Operations of transplant of a genre into a completely different one often smells like an attempt of flirting to a different market, and this grasp of some of the most known KMFDM songs into dub grounds could be too condescendingly labelled in this way. Finding points of contact between industrial/rock and dub/reggae is not that easy, even there were some interesting attempts of melting together some elements of these two styles were done by bands like Meat Beat Manifesto, Swamp Terrorists or Pressure Drop (to mention just a few), particularly in the 90ies. In a recent interview, Sascha Konietzko, the lead of this punky industrial-rock band, that got famous for a style that never adheres to a purist definition of industrial music, besides the awesome covert artworks by Aidan "Brute!" Hughes (fostering his inspiration by means of Italian futurists, Russian constructivists and Golden Age comics), said he was remarkably influenced by dub and reggae while moving the very first steps in productions. Furthermore, he considered punk and reggae as strictly connected, not only for the common criticism against society in respective ages, but also for some technical aspects. Besides his words, the clearer evidence of some connections with dub (besides some tracks within the huge discography over more than 35 years of activism) is maybe their last album "Paradise", whose opening track "K-M-F", featuring Andrew "Ocelot" Lindsley, has been reshuffled and inserted in the tracklist of "In Dub" (...and that 'Bing Bing Bong Bong' vocal excerpt perfectly fits to the new dub-reggae suite!) together with a nice dub version of the title-track "Paradise", re-titled "Para Dub", and "No God", which didn't need any particular retouching as it was a proper dub song with an industrial-rock injection in the middle. Any possible doubts on the meaning of such an operation of conversion of KMFDM song files into a dub format will definitely fade away after the awesome level fo quality of some of these conversions: my favourite ones are songs mostly driven by the voice of Sascha's partner in art and life Lucia Cifarelli, that are "Amnesia" and "Superhero", while the dub version of songs like "Real Thing", renamed "Real Dub Thing", as well as the remake of "Bumaye" where both Sascha and Lucia used to shout on the mic, sound excessively sweetened to me, if compared against their sources, while the pretty surprising dub versions got out from songs that I couldn't imagine that would work in a dub shape such as "A Drug Against War" (retitled "A Dub Against War").