Popsysze, a Gdansk-base band that has consistently flirted with the boundaries of musical convention, returns with their latest live album, "E.T.R." — a title that, for the uninitiated, could evoke everything from alien abductions to extraterrestrial radio signals. However, the reality of this record is far more grounded yet no less thrilling. Recorded during the "Metropolia Jest Okey" event at the Studio of Radio Gdask, this album captures the trio's raw energy and experimental verve, bolstered by a stellar lineup of guest musicians.

The album kicks off with "Zapowied" (Polish for "Announcement"), a track that sets the tone with its intricate layering and improvisational flair. The inclusion of Tomek Gadecki on saxophone and Adam Skorczewski on trumpet infuses the album with a jazz-like spontaneity, while Aga Tre's vocals add an ethereal quality that elevates the band's sound to new heights.

"Soce" (meanign "Sun") follows, offering a sunlit melody that is both nostalgic and forward-looking. Here, Popsysze showcases their ability to reimagine their previous works, infusing them with fresh arrangements and a vibrant live energy. The transformation of these tracks, particularly those from their pivotal third album "Kopalino," is a testament to their growth and willingness to explore new sonic territories.
"W Samo Poudnie" ("At High Noon") and "Wieje Wiatr" ("The Wind Blows") are standout tracks that highlight the band's improvisational prowess. The former's mid-day lethargy is perfectly countered by the latter's wind-swept dynamism, creating a balanced auditory journey. "Atmosfera" (intuitively meaning "Atmosphere"), the album's longest track, clocks in at an epic 11:40. It's a sprawling, atmospheric piece that envelops the listener in its expansive soundscapes, echoing the free-form improvisations of bands like Can and Amon Düül II.

The inclusion of "Kasieka" ("Little Kate") and "Czerwone wiato" ("Red Light") brings a more structured approach, yet they are no less adventurous. The tracks are imbued with a richness and depth that reflect the band's maturity and their skill in blending the old with the new. "Latarnia" ("Lighthouse") serves as a guiding light, its lengthy runtime allowing for a deep dive into the band's intricate interplay and the guest musicians' contributions.

"All Song" closes the album on a high note, summarizing the band's journey with a sense of completeness and resolution. It's a fitting end to an album that not only revisits past glories but also points towards future explorations.

One notable aspect of "E.T.R." is its lyrical content, which is entirely in Polish. This choice not only roots the music in its cultural context but also adds an element of authenticity and intimacy. For non-Polish speakers, this might initially seem like a barrier, but it quickly becomes apparent that the emotional weight and expressive power of the music transcend language. The lyrics explore themes of nature, existential musings, and the human condition, adding layers of meaning to the already rich musical tapestry.

From a musical perspective, "E.T.R." is a masterclass in how to approach live recordings. Popsysze avoids the pitfall of merely replicating studio tracks note-for-note. Instead, they breathe new life into their compositions, offering a fresh perspective that is both invigorating and thought-provoking. The guest musicians enhance the core trio's sound without overshadowing it, adding layers and textures that make the live experience truly unique.

Popsysze's lineup—Jarosaw Marciszewski (electric and electroacoustic guitar, vocals), Sawomir Draczyski (bass guitar, electroacoustic guitar), and Jakub witek (drums, electronics, vocals)—is solid and cohesive. The additional contributions from Gadecki, Skorczewski, and Tre not only expand the sonic palette but also underscore the band's collaborative spirit. At times, Marciszewski's vocal style evokes a nostalgic echo of 70s Italian prog rock bands into my mind, intertwined with elements of contemporary progressive jazz-rock. This blend adds an unexpected and delightful dimension to their sound.

In conclusion, "E.T.R." is a triumph of live recording. It captures Popsysze at their best: innovative, daring, and unapologetically themselves. For those weary of formulaic live albums, "E.T.R." offers a refreshing alternative. It's an album that demands active listening and rewards those who are willing to engage with its intricate and often unpredictable soundscapes. Popsysze has proven once again that they are not just performers but artists in the truest sense, constantly evolving and redefining their craft. Keep doing what you do, Popsysze — you're setting the bar high for live recordings and showing us all how it's done.