In Sacro, percussionist Francesco Cigana invites listeners into a realm where sound transcends mere auditory experience, becoming a conduit between the mortal and the divine. This album is not just a collection of tracks; it's a ritualistic journey that blurs the lines between music, spirituality, and existential inquiry.

Cigana, known for his explorations in acoustic improvisation, assembles an ensemble that includes vocalist Nina Baietta, the male choir Gli Antenori, and trumpeter Mirio Cosottini. Together, they craft a sonic tapestry that weaves together elements of free jazz, ritualistic chants, and avant-garde experimentation.

The album opens with "Mother's Tongue", a piece that sets the tone for the ensuing journey. Baietta's haunting vocals intertwine with percussive elements, creating an atmosphere that is both intimate and otherworldly. Tracks like "Ombakero Oruyaveze" and "Mughetto Efedrina" showcase Cigana's ability to manipulate rhythm and texture, leading listeners through landscapes that are as unpredictable as they are captivating.

"Pesach" stands out as a meditative exploration, its sparse instrumentation allowing space for reflection. The album culminates in "Gerico", a ten-minute epic that brings together the ensemble's full range, culminating in a crescendo that feels both chaotic and cathartic.

Throughout Sacro, Cigana challenges conventional musical structures, opting instead for a fluid approach that mirrors the unpredictability of spiritual experiences. The album's strength lies in its ability to evoke emotion without relying on traditional melodies or harmonies. It's an invitation to surrender, to become a "fine-eared" participant in a ritual that transcends time and space.

In a musical landscape often dominated by formulaic compositions, Sacro stands as a testament to the power of sound as a transformative force.