I could find little about this artist, but the artist link is the Less Than One label, so I suppose that they are related somehow. There are also no liner notes to go on, so we can simply dive in and see what we have here.

“Wax Cylinder” opens with what appears to be a recording of a story being read, along with some heavy ambience and crackling noises. This then gives way to some noise that sounds like nails being pulled out of wood and other noises. The overall effect is cinematic and engaging. “Zones of Shadow” keeps the cinematic feeling going. This would be right at home in a soundtrack at the suspenseful part of the film. You're alone in the forest and you keep hearing noises behind you, but you turn and see.... nothing. But there was definitely something there, wasn't there? “Mi-Go” brings heavy, noisy dark ambient punctuated with crashing sounds and deep drones. “Dark, Dead Corners” lives up to its name with ominous spectral wind noises and staccato strings. This is rather unsettling music that would be perfect for your next haunted house display on Halloween. “The Semblence of Men” brings in foghorn drones and clattering noises, like being in a silverware factory, which makes this a bit noisier than the others, but still interesting. “Morbid Odour” closes out the album with a track that is a bit more dreamlike with a touch of noisiness.

I am reminded of Wilt's description of his work as "dark noise," and that seems an apt descriptor for what we have here. The overall feel is heavy and oppressive, but not in a cheap horror movie sort of way. Rather, this is the cold indifference of nature where death is just another part of life. Things eat other things and are, in turn, eaten. Nothing personal. Well done and interesting stuff. This is dedicated to Spooky, so I hope they enjoy it. I certainly did. This album weighs in at around 64 minutes.