Produced using Reason and Acid (the first software has got several/illimitate vitual instruments and a sequencer window to command each stuff. The latter software is manily used to work on loops) on a computer, AN INCOMPLETE GUIDE TO VORPAL MUSIC introduce us to the sonic realm of Andrew Kozloski. A realm that is similar to an hard disk that need a defragmentation. Even if the different sound sources changes really fast on the various tracks, the thirteen tracks are something more than a collage. It is true that chaos sometimes takes a hold, but the tracks create a good ambience and they have got something that make you identify each of them (see for example all the melodic line used on "Pinot noir film". Andrew, as other sound manipulators, had the good intuition to take everything he could reach just to work on it. For this reason you can find a portion of Edo Komoriuta on "Hip hop wabisabi", a reworked verion of Satie's "Gymnopédie" and a portion of the Brandeburg concerto n.2 in f major by J.S. Bach on "November-014". If you aren't worried of controlled chaos Vorpal has got something for you to be thrilled!