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Edward Artemiev: Three Odes

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Artist: Edward Artemiev
Title: Three Odes
Format: CD
Label: Electroshock (@)
Distributor: Gamma-Shop, Groove.nl (NL), Cue (D), Eurock.com (US), DWMmusic.com (US), Marquee (JP)
Artemiy's father Edward Artemiev's "Three Odes" is a collection of old works including an Ode originally and especially composed, recorded and used for 1980's "Moscow Olympic Games", an Ode written (but remained unused) for the film "Urga - Territory of Love" (1990) directed by Nikita Mikhalkov and and Ode recorded in 1997 for the opening ceremony of the "Teffi" prize (Russian nomination for best production in TV-industry). Edward's unbelievably vast cinematic experience leaves the stage to a bombastic mixture of classical and opera music, space electronic and prog rock. The grand symphonic sound of the State Orchestra of Cinematography, the State Russian Choir, the State Moscow Choir and the Children's Choir of Moscow Choir College; with the additional support of four singers (one of which is a tenor); together with the work of the modern sounding Boomerang group; plus the lofty avantgarde electronica of one of Russia's pioneering fathers of the entire electronic movement, make for a highly ambitious batch of compositions that bring together influences spanning from the past two centuries to the past two decades (Rick Wakeman, Vangelis, ELP, Tangerine Dream, Rondo Veneziano). I don't understand the Russian lyrics, but at times it sounds extremely patriotic and proudly nationalist (texts are by Pierre De Couberten): I say this just to give you an aid as to what the movements' pace is like. If you know Edward Artemiev for his calmer electronic pieces often used to score film soundtracks (among the most popular ones are some Andrei Tarkovsky's) or if you are looking for another example of the electroacoustic sound that Electroshock records has grown to be known for, then you might wanna check this out before you spend your money, as this is not your average Artemiev Family sound, and even though it ultimately is electroacoustic in it's nature you are better off thinking of it as an electronically face-lifted classical/opera music on the rocks!

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