I would agree on Patrick Stevens’ chosen title without hesitation, but at least I only hope for him personally, that some more people would pay attention and show him his deserved respect. HYPNOSKULL’s career is surely longer than a beard can grow and it has never been a piece of cake to explore Patrick’s abrasive kind of rhythmical Powernoise music. "Industrial Owes Us Money" is for some reason a special album following a musically copulation between the mentioned Powernoise efforts with multiple forms of Clicks’n’Dub and mixed with a sick Grindcore impact. The result is a disturbing form of abrasive E-Punk (check out his cover on the Dead Kennedy’s track "California Über Alles"), which beats and pushes the speed as hell, but it also vanishes a lot of the Industrial-related mood. Deepest respect for the try to break with music-related boundaries and for the will to mix nearly unfitting genres into each other. His offensive integration of multiple voice samples in English and/or German played and manipulated in diverse tempos between slow up to Micky-Mouse-effect causes some smiles into the face of the listener. But generally this massive amount of multiple processed beats and the hardcoristic guitar loops can overtax one or another listener, especially if there’s isn’t any slot taken for a pause. Well, a matter of taste I guess, let’s hope finally that Industrial brings in enough money to pay all of Patrick bills.