Ambient feedback flowing elegantly through the air, spiced with fluttering digital runs dance with each other, building slowly to climax and eventual descension. This is
how 'Science Can't Explain It' opens with 'Ragabhara.' This evolves into 'Fermet's Last Theorem' which is comprised of field recordings nestled perfectly beneath ominous textures and seemingly (yet perfectly) random piano lines. The eeriness works its way into paranoia, just in time for 'Mathematics of Truth' to bring with it the first signs of true 'percussion.' This blend of new, live and remixed recordings takes quite the journey across varying sonic landscapes, from more gentle and beautiful dissonance to more harsh, and even sound effect-like pieces. The entire record is grounded in the use of the Kaossilator and while it's more apparent in some pieces than others, it couldn't have been more masterfully employed than here on 'Science...'