The latest and greatest by Access to Arasaka goes by the name 'Geosynchron.' Part three of a pseudo triptych (started with 'Orbitus' and continued with 'Aleph') it proves to be the perfect climax. It is an expertly crafted journey through time, space and the unknown. It's songs draw their titles from equal parts mythology and space, and they really couldn't have been chosen better. Sole member Rob Lioy carefully constructs these works to near perfection, using lush textures and pads, drones and precision glitches, dotted throughout with what I liken to lost attempts of communication by the superior alien race. We are drawn through delicate, minimal pieces; digital soundscapes bathed in synths and vocoders; and full on glitched out complexities. There isn't a single track of filler, not a song to skip past and at no point does it get dull. The only potential moment of awkwardness is 'Lysithea' (featuring Jamie Blacker) where the flow of the record is just ever so slightly hindered by a very cold and lonely piece (in a good way, I assure you) where Blacker's vocals add a very different, almost goth feel to the piece. It is a great song, just as good as the rest, but feels just a tiny bit out of place with the rest of the album. That being said, it still doesn't take away an ounce of anything from 'Geosynchron.' Access to Arasaka is a name you'll want to remember and 'Geosynchron' is a record you'll want to play over and over again.