Besides some musical directions, Rella the Woodcutter, Maurizio Abate (Jooklo Neokarma Trio/Sextet/Octet), Raubaus and Valla share the same living space and and artistic workshop at Ca Blase' nearby Milan, where they occasionally held shows open to other bands as well. This self-titled release under the collective name Eternal Zio, following their self released debut Vibbria, is a collection of six untitled extracts from a series of improvisations they played together last summer. All of them are partially similar to that stuff which came from late 60ies musical syncretism and stylistical fusionism, which joined together elements from jazz, folk and rock with forms from "exotic" musical tradition, particularly Indian ragas, sufi choirs, gipsy dances or sonorities from Middle East by tapping from pits of various philosophical, mystical traditions pr anything in like manner which could support the aim of mind expansion, spiritual awakening, soul enlightment and so on as well. These conceptual references are quite vague in Eternal Zio, as the most relevant aspect is the combination of a constant spiritual tension, whose flames have been kept alive by the algamating and hypnotic harmonious sound of hurdy gurdy, with a certain naivete' by simple melodic lines, plain tapping on guitars and even "dadaistic" ways of playing instruments (such as the flute on the second track, which sounds like played by a kid who is not able to control the breathe yet) and even occasional musical spurts, so that this album sounds like the hearth rug of a cozy and lively domestic realm and a kind of tribute to some forgotten household deities.