Mostly known as the drummer of Spacek, Morgan Zarate delivers the third stylistical master stroke on Kode 9's label Hyperdub by fading the boundaries between genres like r'n'b, hip hop, trap, grime and dub by means of accentuated futuristic brushstrokes. The two less martial track have been sweetened by two superb female voices: the most "stardusted" track cannot be sung by impressive singer from West London and former Gorillaz collaborator Roses Gabor, who seems to dive and snorkel into the ocean of radiant padded synth and over-reverberated claps of "Pusher Taker", while the bittersweet words by another skilled singer, Tawiah, who seems to froths honey and poison at the mouth, perfectly adhere to cleaving claps, heated funky drops and rushing synths on "Far Too Late". Even if I cannot imagine the so-called katsu, the shout a Zen-master should utter to let Zen apprentices taste enlightenment experience could sound like the vocal sample that Kendrick Lamar recorded to ignite "Backseat Freestyle", "Katsu" is an impressive trap experiment built on very deep resounding bass tone, military snares and menacing delayed chords, while the final "Tayco" entrap eardrums by seemingly acoustic drums, dry hits on trunks, vitreous industrial sounds and other bumps, which soncially renders what you could imagine "future primitive grime" could sound like. The digital available bonus tracks "This" sounds like a quite hard-fought ping-pong match inside a tron-like dimension.