Those strange objects on the cover artwork are not an artistic installation of spigots for an imaginary starship, even though they look like spigots, but those mysterious things spill frequencies. It's a sound generating system where a series of tuning forks got activated by computer-controlled solenoids that inventive Canadian sound-artist Nicolas Bernier built for a performance of sounds and lights which was awarded the 2013 Ars Electronica Golden Nica for Digital Music and Sound Art. The entrancing audible part of this installation, which could be considered as a bridge between science and electronic music as well as between primeordial stage of musique concrete and contemporary electronics, is the sonic pasture for this release. The initial likeness with faucets is not apocryphal as you'll have the impression that Bernier let drip frequencies on the first minutes of this 34-minutes lasting recording before the rivulets of pure musical tones which come from those two-pronged U-shaped forks sprinkle and drown the entire sonic sphere by a series of variations, dilutions and swelling, which gradually drives filaments of icy electron beams towards the lukewarm thermal state of a genuinely embryonic melody.