When Tokyo-based writer, educator, photographer, Two Acorns label manager and lively musician Will Long, whose project became a solo-one after his former partner-in-life and partner-in-art Danielle Baquet regrettably passed away for a heart failure in 2009, introduced this release by making a connection with a cheerful event of his life, the moment when he heard the heartbeat of his first child with his new wife in summer 2013. Heavily influenced by minimalist electronic music of the 60ies and 70ies as well as by cosmic riding of a number of German kosmiche muziek forerunner, this 40 minutes lasting suite, which should have been released by Spekk before the delaying of the project let the initial inspiration and concept dissolve, is a sort of ballet between a basic synth-driven pulsing sequence and a secondary one which repeatedly fades in and fades out by weaving entrancing harmonies, which could let you think about a pèossible sonic rendering of the matching of DNA double helixes, if you like your imagination got driven by Celer's connection between the futuristic nuances of this lovely electronic suite and the new born life. However the gentle and somewhat cherubic pulsations, which could let you imagine an angel while making the Indian war cry by covering and uncovering its mouth with wings (!), and some moments of the record when synth-sequences sound like scattering over the infinite directrixes of outer space, could let you think about "Zig Zag" as an interception of a dialogue between angelical entities by SETI optical telescopes.