Ten years after its release, Metropolis decided to reissue and remaster "The Greater Wrong of the Right", the album which sealed the reunion of Canadian band Skinny Puppy on Synthetic Symphony, for the pleasure of all those ones who missed it, but I could guess that such a decision could be justified by the fact that the slight mutation that a plenty of collaborators such as Otto Von Schirach, Omar Torres or Statik injected into the veins of the puppy could be better understood after the release of the acclaimed album "Weapon". The "profanation" by means of the reversal of the typical relationship between a fan and a cult band which resurfaces from the opening song "I'mmortal" ("you take my picture a portrait prize behind my image your father's eyes just looking for something"), the contemporary assumptions of political elite where even dissent or needs belong to a carefully controlled process as if they got deliberately tested in a social laboratory on songs like "Pro-test" or "Neuwerld", the awareness of the overwhelming hypereality as a consequence of similar processes that shows through lyrics ofsongs like "Past Present" or "dOwnsizer" and other topics which punctures the musical wraps of breakbeat, electro-industrial, cyber-punk and freaky IDM, whose spikes cannot curb Skinny Puppy's woofs or growls, sounds tragically actual and in spite of some smudges, the more contaminated moments of the album such as "Use Less", "Empte", "Daddyuwarbash" or "Goneja" reach the highest stylistical peaks of an album are the ones where the transition to current style is more appreciable.