Fans of vintage modular synthesizers will immediately recognize the "voice" of the two rare glorious models that John Chantler, the London magnetic pole of Australian label Room40, squeezed on this release: he had the possibility to play on Buchla 200 and its grandson, Serge modular, that EMS Elektronmusikstudion in Stockholm keeps and makes available to composers and sound artists and collected a pile of sequences and sounds that he revised over a couple of years in order to avoid that his stuff could be too closer to mere work outs on modular synths. The opening ultra low frequencies and the electric rifts of the first part of "November" and the erosive sequences whose noisy wavelets of the second part are closer to many electronic grafts into prog-rock elongations from the 70ies precede the atomized clipped fluctuations and the atmospheric textures of "Dismantled Cabaret" in the first group of tracks, while the second block includes "Wollmar Organ", where John punctured an organ-like sound from the Wave Multiplier module by rising voltages, zipped frequencies and tubular sounds, and the amazing fluid dynamics of "The Knight Firth", where gobbling sonic bits keeps on burbling before their gradual stagnating.