Even if it seems that French producer Remy Pelleschi, the main as well as the only remaining head behind Mlada Fronta, took it down a notch on the occasion of this return after almost a decade of silence and a welcomed oversized refresher by Artoffact that dropped the exhaustive collection "Every Thing" over 10 CDs, this "Polygon" has all the distinguishing elements of Mlada Fronta style, whose seemingly simple structures get more and more haunting by a sort of self-rising organized complexity which could be somewhat summerized by polygons themselves. The above-mentioned quietude of rhythmical patterns could be felt on the tails of the album, whose progression seems to follow a guassian function where some excellent middle tempi, such as "Cvb" or "Flash" where Mlada Fronta sound like flashing listeners by synth-flares from the core of whirling geometrical polygons, get gradually ignited on tracks like "Osc-A", the compelling pursuits of "Cop_magnum bass" and "Night Run" - two of the most amazing tracks - before the chains of control got almost completely wiped out on the hard hits of "Strict Dress Code"; the serpentine electronic straightedges of "Top" marks the moments when bpms decrease - except for the gnarled distorted flow of "Sdk" - and the sound more distinctly starts high-flying till the enchanting final "Ytre", which reunites with the blissful mechanical daydreaming of the appetizer "North Pole". According to Remy's own words, the sound could remind some tracks by Digitalism, the Hacker, Underworld and his fellow country-mate Gesaffelstein, but some moments of the record could be closer to some stuff by Orbital, Crystal Method or the first Daft Punk.