An electronic melted blob, which seems to articulate words in an uncodified language, and fast percussions that give rise to an enterancing Berber drumming session and Tres pinching before the race gets inflamed by a trumpet, which sounds like a furious elephant, ignite this brilliant stylistical crossover on "Gubat", the first incendiary track of Tumido's new album. Over five tracks, mainly named from remote places on our planet, Gigi Gratt (tres, trumpet), Bernard Breuer (drums and sticks of Elektro Guzzi and Metalycee) and the new member Mario Stadler (synth), exhibit their striking sound, whose melting of dub, electronics and rock could stuck listeners up: the rough tribal patterns of "Nuuk" got embossed by tilting synths and swirling clots of drums and distorted guitars; the sneaking narcosis that mesmerizes listeners in the first part of "Isny" by means of a Massive Attack-like trip hop movement got stopped by a sort of tenderly adulterated spinet and abruptly smashed by an overpowering wall of sound, which gets dissolved into an electric suffocated cloud; obliquely delayed hits and crackly strokes got clotted by a piercing high-pitched frequency and a gargling noise on the blood-chilling "Tommot"; the tribalistic dance of the lenghty final track "Xaxim" unexpectedly turns into a distillate of a mangled dub, whose agonizing bad trip-like sound likewise unexpectedly expands in an overwhelming manner and flows into muffling metallic squeals. An excellent boxed cake mix for catching live concerts.