Recorded at the well-known Faust Studio, Hans Joachim Irmler's studio in Scheer, Germany, in June 2012, this odd file in the huge archive of releases by Portuguese label Creative Sources comes from a trio of imaginative improvisers (Hans Kock on bass clarinet, Gaudenz Badrutt on electronics and Alexandre Babel on percussions), whose seemingly abstract stuff often sounds more concrete than you can guess: the somehow sinister whistle and its resounding arching on sneaking electronics and slight tremblings on the short introduction open up the hinged jaw of a claustrophobic and mysterious sonic world. The longest track "apartment" sounds like the fast track processing of a series of conventional domestic activity, as if listeners got invited to hear what happens in the house of a sped up SIM character's "life" and, as you can easily guess, noises of snoring, metallic hits, resounding keys, bottles and similar listenable entitites have wisely been included in the package. The first and more lasting interlude, where a squeaky sound that becomes thinner and thinner pierces a menacing nocturnal atmosphere, prepares the ground for the second main improvisation, "outside", where they seem to focus on the mirroring or the rendering of external sounds (including trains, interferences, buzzes and beeps) by means of their instruments where both electronics and percussions are surprisingly not so intrusive, even if its intermittent scrolling sounds like a gradual asphyxiation. If the first two main tracks of the album, the above-described "apartment" and "outside", could have been appeared like an unzipping file of sometimes indecipherable snapshots, the third main track "inside" is even more elusive in spite of its occasional pauses, which features the feeble whistles of the final track "end" as well.