Footsteps on a wooden floor, two sonic waves (a low frequncy which seems to get longer and longer and a higher one which sounds like something a seraphic choir and a feeble murmur), a sort of heartbeat on the threshold of audible hearing levels feature "A Lament", the opening track of this release by which brothers Andrew and Michael Tasselmyer ignited their debut release Hotel Neon in the summer of 2013 on a striclty limited edition of 100 copies on cassette. A couple of years later after the first edition of "Hotel Neon" begun to circulate by means of word of mouth within a cosy huddle of ambient lovers, Ian Hawgood decided to re-release it by remastering the original version, that Tasselmyer Bros. mainly moulded by using cheap equipment (a usb recorder, cheap guitars, an effects processor and a computer). The title of the following track "Dust and Drag" seems to describe the sound processing, where listener could hear an undefined frequency which get finely pulverised before getting stocked by somber stretched tone and a mechanical loop, which sounds like a clock, while "The Crushing Weight" is the first exposure of the listener to more peacefully ethereal radiations and likewise smooth frequencies keep on shield listener from the rumbling sub-tones of "The Eye's Mind", which precedes the ecstatically narcotic reels of "Deprivation" and the entrancing subtle buzz, which flows through the heart of following "Confines". Distant thunderstorms attempt in vain to disrupt the heavenly ataraxia of "Lowly", the track which closes a release that perfectly matches the tagline of Hotel Neon: Restraint over haste, Perception over presumption, Awareness over intent". The Zen fingerprint on the a test tube filled with amniotic fluid.