In the tough and controversial business of Dj-ing there are two characters who started in their early age (way to go!) and whose tracks became lucky chart-favourites quite quickly once they went solo: both Darren Emerson and Tim Deluxe have gained local and international recognition in the early millennium after they have both set up their own labels, Underwater and Ice Cream records, respectively. Before focusing on being a Dj full time Darren Emerson spent many years with Underworld, but in particular it was Tim Deluxe and his two top selling singles "Sirens / We All Love Sax" and "It Just Won't Do" (featuring Sam Obernik on vocals and whose video clip with skinny sexy volleyball playing chicks I actually remember seeing played on the infamous MTV while I was in Europe last summer) who made Emerson's label really take off. So here you have them both together, working the turntables mixing a lot of club best sellers which you might have actually heard even outside the club scene... Besides the above mentioned songs you'll find tracks by Mutiny, Medicine, Alex Gopher, Ian Pooley, Steve Mac, Jay J, Chris Lum, GusGus, T World, Dj Vitamin D feat. Miss Audry, D'Julz, Lay & Bushwacka!, Loose Headz and more...
The record has been released a couple of weeks ago in the US on Thrive records, which started in 1997 releasing original motion picture "Pi"'s soundtrack and is known in these days for another soundtrack ("Memento") and for having signed Paul Oakenfold exclusively for all Dj mix albums in the US.
Keep nodding!

Xero G are a duo from N.Y. formed by Victoria Angell (vocals) and Seth Questor (synths, programming and vocals). ARE YOU WEIGHTLESS is the first album of the duo and contains eleven original tunes along with a cover of Who's "Baba O' Reiley" and a Sigma 7's remix of the opening song "Run". The first thing I noticed is that the album seems to miss a real hit single even if "Carry On" with its "Pet Shop Boys goes goth" atmospheres can be a possible one. This has been a particular CD for me because the songs started to catch me only after the second listening and this isn't a usual thing. The album has got dark and light atmospheres with energetic tracks and good tunes (like "Too Much" or the instrumental "Uranium"). The tracks I preferred were the ones from fifth to eleventh, because they have got a certain dark vein which make them more interesting for my tastes. Only sometimes I lost my concentration but this is because on the first tracks Victoria's singing is a little more melancholic and mellow. It takes time to appreciate this one but it's worth it.

Good old fashioned aggro metal in the trash vein as usual here, kind of along the lines of Ministry, but not as heavy. They could have stepped up the electronics a bit, but the mix between the electronics and the guitars is purposely the scope of miniamlism, so it works out fine. For those more into the pure electronic sound go for The Fair Sex,their side project. My favorite track on this one is "White Skinned Heroin" the opening track to the CD. Good CD for those longing for the days of old school aggro-industrial before the onslaught of NIN clones took over the scene. Rating: 8.

This is the debut of the Polish label Perun, issuing a 51' collection of tracks from '96-'99 by US songwriter Brian Hodges, here at vocals, guitards, flutes, loops, keyboards and programming, helped by a couple guest musicians. The Blue Hour alternates acoustic folk ballads with more atmospheric instrumental tracks. The former are brilliant examples of (apocalyptic) folk in the vein of In Gowan Ring or the more intimistic Current 93 (let's say "Earth Covers Earth"/"Thunder Perfect Mind"/"Of ruine..."), i.e. melancholic, oneiric songs often leaning on psychedelia. "A tree stands alone", "I am the wind", "My lady upon silvery pool" and "Temple of ice" stand out as the best ones, while there's a welcome detour with a well-done cover of Sol Invictus' classic "Lex Talionis" (I guess this was included in "Sol Lucet Omnibus" as well). The latter vary from quasi-neoclassical symphonies ("The navigator", "Procession of the sun") to more abstract ambient pieces. When vocals are added, the result can be quite ominous and menacing, like in the closing track "Red Sands". This is a well-assembled, peculiar work showing lots of talent; it should be listened to in the right mood, as in some autumnal late afternoon - it takes time to be absorbed in its sad, dreamlike atmosphere, perfectly portrayed in the landscape photos featured in the artwork, but the result is rewarding.

Packed in a very nice cover, "A clamor half heard" collects five live tracks (recorded in September and October 2001) for 54' total. Naturaliste is a radical impro ensemble featuring Charles Lareau, Lonnie Methe, Christopher Fischer, Josephine and Simon Joyner, and Chris Deden. David Downing joins on track 3, and Mario Aldefer on track 4. The cd is, like, 90% feedback and 10% instruments, loops and sparse noises. Really lo-fi and muddy recording, so it really sounds like a huge wall of distortion with a few different elements struggling to be heard. A free-flowing sax can be traced in track 1, 3 and 5. Track 2 is just manipulated radio waves & signals at times combining in some kind of rhythmic pattern. Track 3 is more feedback, radio, winds and possibly some tape loops (but it could be the radio). Track 5 is the most interesting one, less aggressive and more dilated, with some delays and tranquil moments creating a slightly psychedelic mood. But the cd as a whole is a nasty piece of hisses and nerve breaking impro solipsisms. Kind of Destroy All Monsters or Dead C recording in a basement with a cheap walkman and distortion pedals borrowed from Cock ESP.