Second album by LHAM begins with the ominous and apprehensive "Aleph Null" with deep, dark drones, an incessant ringing, then an office phone ringing, then an undercurrent of bass sequencing driving the dramatic tension. This could have been the jumping off point for some spectacular space ambient, but Giuseppe Verticchio and Bruno De Angelis chose to mellow it out and take it elsewhere. "Linguellae" has what I can only describe as "singing bees" in it, if bees could sing. (Maybe they do; I need to watch the right documentary.) The church organ sound of "Tomorrow You Will" mixed with distortion colours this piece at first in an unflattering light but as its metamorphosis into something absolutely fantastic is a wonder to behold. It becomes full-fledged shoegazer rock and will blow your mind! It doesn't last throughout the entire piece (as it changes yet again) but by this time you know you are definitely listening to something special. Things lighten up, mellow out and calm down quite a bit on "Winds Become Words." A little more mystery and melancholy in "Chance of Rain" with rain beginning as a trickle and turning into a downpour the ambience intensifies as well. "Arnold's Chamber" has a minor melodic them running through its ambience but morphs into something arhythmically percussive before it ends. "Erebus" begins rather minimally with a single deep drone, adding more as it goes along, then a pulse-beat, some background bells as it builds, but later morphs into ambient clouds (losing the best) colliding, or so it seems. There was really just too much going on in "Cau Cutu" for me to fully appreciate it, and although ambient, it seemed a bit indulgent. Final track, "Sic Mundus" heads back into dark ambient territory with oodles of interesting atmospherics. Great way to go out. Although I liked 'Leaving Hardly A Mark' better, this one still has plenty of merit. I'd pick up both if I were you.