I still haven't reviewed a release that Petit is back with a new one, it says a lot about the prolificacy of this French guy, but on the other hand I invite you to avoid thinking this over-abundance of works get worse release after release. I think the French artist fills the rank of musician like Aidan Baker who's average production has been quite good so far. On this new work Petit keeps following the route of contemporary neoclassic music processed through a laptop, nothing close to Fennez or Sakamato plus Alva Noto or Murcof, just harps, cello, violin, horn, trumpet. All of the instrumentalists involved in the recording have not been processed heavily, the majority of the effects used are reverb, delay and what I think has been a cut and paste re-assemblage of the tracks. As you can imagine there's some soft crackling, some other soft noises to color the final shape of every single suite, but everything has been done with a really gentle touch. If compared to the previous cd of Petit and friends, this one is way more abstract and cold in a spacey way, if Roger Eno and Lanois would assemble a new sonorization for the documentary on "Apollo. Atmospheres and Soundtracks" this could be really close to the result, even if it's much colder if compared to the atmosphere create on that album. Despite its dark profile this work somehow brings in a gentle overdose-experience, according to this comment it partially reminded me of some soft Nurse With Wound hybridized with a more neoclassic aesthetic, but that "floating ashore-feel" is still present and quite strong. The global listening is quite uniform and trippy and even thought not all of the tracks are on the same level the average result undoubtedly goes from interesting to catchy.