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Denight: Human Reflections

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Artist: Denight (@)
Title: Human Reflections
Format: CD
Label: Echozone (@)
Distributor: Masterpiece
Rated: * * * * *
Human Reflections is the second full-length album by Denight (nice word-trick underlining the paradox of the light-in-dark imbuing their songs, mainly dealing with intimate and emotive themes such as human defects, greed, fear and soul depths, even if there're some themes closely related to contemporary history as confirmed by some words in the title-track ' 'We wage war for the so-called freedom/But where is it for those who lose?/Most times we fight for no reason/For land, profit or an evil we choose' -) this 6-members German gothic metal band, born from the sudden flash after the meeting of the auditory canal of the guitarist Tim Hochstetter (former member of Diary of Dreams) and the deep and velvety voice of the singer Stephen, playing under the Saturnian dim light, as suggested by their own sygil. They maybe doesn't add anything particularly innovative to the scene and I think that comparing themselves to similar bands such as Dreadful Shadows (especially in the use of voice inside the compositional structure, which is definitively very similar to the one by Sven Friedrich, even in his more electronic-oriented side project Zeraphine), Love Like Blood, Lacrimas Profundere or The Cascades (especially for the frequent inoculation of energetic and solid guitar riffs in each track'¦) is an appreciable act of intellectual honesty, but their technical skills as well as their sound, based on a mixture of gothic metal standards, metal ballads and even some slices of Wagnerian epic majesty, is quite convincing and the listener will easily admit Denight are some steps upwards if compared to similar bands. If I should say which tracks are better, I'll definitively suggest the smoother and slower ones (I particularly appreciated the delicate use of instruments and the guessed intertwining between rhythm and melody in Sorry and the melodic skin in The Core), but the up-tempo tracks are wisely forged and performed. Maybe they should dare more experimental musical solutions in order to tower above the scene in a more ear-catching way (the eye-catching graphic workout deserves to be mentioned for some nice choices such the opened eye printed on the bricks on the cover artwork, closing just under the cd'¦), but these first sprouts look promising'¦

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