Kinetix a.k.a. Gianluca Becuzzi is an italian artist active since 1999, and after several releases during years debuts on France based Sound on Probation. I would call Becuzzi a sound designer, a pretty abstract sound designer concerned with experimentation on the synthetic side of the sound. Along the two long tracks (that seem pretty much connected into a single long work) Kinetix layers on extremely extended ambient backgrounds a pletora of recurring micronoise patterns that are probably the very interesting part. The recurrence of the same parts probably makes the composition a bit redundant anyway due also to their minimalism. The hard work on the composition is clearly intelligible, but not an easy listening at all.
This split is the third release for Pylone, as usual on Sound on Probation. We are still on the sound research side, still with a concern on minimalism and micronoises, but with a flowing shape given to the four composition, a flux as the bio states. It's a form that captures more deeply the listener comparing with Kinetix, due also to a wider variety of sounds manipulations involved, as well for the background drones that vary from still minimalistic shapes to some deeper capturing sound waves. The same concern on digital experimentation emerges from the cover artwork made by Véronique Weil.