As you press play, you could be grabbed by a sort of synaesthesia injected by the even-tempered chilled beats (if you enjoyed the soulful branch of electronic lounge and chill-out beats which were ubiquitous in the collection for modernist bars and clubs as they appeared on almost every selection issued after 2000, you will easily recognize some samples used by this Australian project) of Live & Love Your Life, the title-track of Atone's tribute release to Ali Bin Mohammed Omar Al Muscati, better known as Ali Omar (R.I.P., man'¦), one of the most respected and well-known producer in Sidney, who left a remarkable dental impression on the fast-growing Sidney club scene even after its recent decease due to its nonchalant musical mark and its witty personality, distinguished by a deep sense of humor and an acute attitude in music and life according to all musicians and common people which shared some moments when he was still alive. Both Ali and Andrew Fitzgerald (Atone's name at vital records office) come from Uk, but they got rooted in Sidney after they intuited the lively Australian capital was among the most fertile grounds of the planet for the birth of a renowned club music scene, so that Ali's studio, sweet-scented by burned straw (!), become a sort of lighthouse on that music scene and by listening this release you could perceive the airy breeze of the eventide, those dub/breaks tunes which slightly move the flames of the beacons on Sidney's seasides or adding that be-all recipe to the musical stylish food served in Sidney's clubs. I personally prefer those tracks when Andrew tacks nearby dubstep and reaggae coastlines as episodes such as the electronic muddy dubstep of Caffeine, the rocky Cold Sweat ' quite close to the funkin-up style of Salmonella Dub or Zion Train- , the Noran Re-mix of Look At The Stars ('international and sensational' by paraphrasing the whimsical Ali's words, partially evoking the stylish dub style pushed up by labels such Different Drummer some years ago'¦) or the delightful hip-hop haze of Free Yourself or the afro-tinged exotic gear circling in Let The Light Come In, but any listener will easily enjoy other juicy candies caromed in the list by Atone ranging from some sugary drops such as the above-mentioned title-track, the piano-toned Shine ' slake your tympanic thirst by Gina Mitchell's vocals as well'¦- or the exciting downtempo of I'm Back, You're Right to the gusts of melancholy in tracks like Lost You, from the catchy electro-pop step of Brown Rice to the emotional transmissions you'll find out in dazzling tracks like Paradise No2 . Ali will surely enjoy it hereafter!