The almost incessant work in digging into interesting musical artifacts in the Norwegian improvisational scene by Hubro brought to the discovery of another fantastic release, signed by a trio named after the most prominent instrument player in this output, the young fiddler Erlend Apneseth, whose style of performing on Hardanger fiddler manages to mantle listeners by evoking symphonies that often seem hanging in between Norwegian and Japanese musical traditions. He involved Øyvind Hegg-Lunde (drummer of Electric Eye, Building Instrument - we already talked about this awesome project - and José González) and Stephan Meidell (guitarist of Cakewalk and Krachmaker), who already joined him for the last track of the critically acclaimed album "Blikkspor", the impressive debut by Erlend. They enhanced Erlend's performance by unobtrusive details that embellished any moment of this album, where Erlend shields the powerful hooks of his music over a broad set of different semblances: the opening "Trollsuiten" is going to immerse listener in an enchanted set, where the lukewarm heating of a bonfire sets the stage for the discovery of forgotten Nordic legends, inspired by the vaguely oriental nuances of "Sapporo", the flowing symphonies of "Dialog", the charming meeting of organic and electronic entities in "under Isen", the rising dissonant title track "Det Andre Rommet", the folk breezes of "St.Thomas klokkene", the flipping percussive medley of "Natkatt", the surprising veer towards Radiohead-like declension of rock in the lovely "Magma", the reprise of spores of all the above-mentioned influences on "Hugskot" and the blissful finale on "Draum Om Regn". Highly recommended listening experience!